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Altitude

by Kimon Kirk

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1.
Evergreen 03:17
Evergreen, evergreen is the color of the tallest tree The color of the tallest tree, the tallest tree that you can see Through the screen, through the screen, through the pages of a magazine The pages of a magazine, you’ll see a face that looks like me Patience is a virtue, baby I can wait Patience is a virtue, baby I can wait Patience is a virtue, baby I can wait another minute I’m afraid, I’m afraid, I’m afraid of what you might find out Afraid of what you might find out, find out if we talk about Talk about, talk about, talk about what it might just mean Talk about what it might mean, what it just might mean to me Patience is a virtue, baby I can wait Patience is a virtue, baby I can wait Patience is a virtue, baby I can wait another minute A second, an hour, and I’m gonna see you tomorrow But you’re pulling us closer to sorrow When an old man turns a fool, what more can he do Evergreen, evergreen is the color of the tallest tree The color of the tallest tree, the tallest tree that you can see And evergreen, evergreen is the way that you will always be The way that you will always be, the way you’ll always be to me
2.
Trampoline 03:23
A little bit slow on the uptake, a little too quick on the jive I’d tell you it was time for a remake But I wouldn’t wanna give the wrong vibe Though I had your number once, you still find a way to keep me guessing It’s a risk you were gonna be taking, you knew you had to give it a try But it’s a failure long in the making, I should’ve known you were bouncing too high Now you’re barely hanging on, you can’t even see to reach the ceiling Trampoline, put your feet back on the ground Trampoline, first you’re up and then you’re down Trampoline, Trampoline You used to have the moves of a dancer, a Nereid with glittering wings But now you can’t remember the answer when they ask you if your bird still swings All that’s left for you to do is balance on the edges of your tiptoes Trampoline, put your feet back on the ground Trampoline, first you’re up and then you’re down Trampoline, Trampoline Seconds flash and arms untangle, searching for a different angle Flailing as you hurtle toward the sun
3.
Stranded 04:53
Planes on the runway, frustration gives way to despair All flights are grounded, all of our big plans are up in the air Pilots all are joking, teenagers are moping, foreigners are smoking outside Bags at the curbside, checked all the way to O’Hare But she don’t say baby, have you got your camera, till half the way there If I left the wrong impression There’s something I should mention ‘Cause the air has too much tension up here If I could make my mind up I would sleep instead But I’m stranded, stranded in my head It was just a missed connection, some problem with the engine But the messages I’m sending aren’t clear One of these mornings they’ll push this thing back from the gate We’ll roll off the tarmac, rise over the hilltops and out of this state But my suitcase isn’t on it; I should’ve just responded… I only wish I wanted to stay If I could make my mind up I would sleep instead But it’s all I can do just to get out of bed 'Cause I’m stranded, stranded in my head
4.
I used to have it all figured out I could climb any mountain and crush any lingering doubt If it got in my way I would just go around But what do I know, what do I know, what do I know, what do I know Driving down the road at top speed Moving too fast to indulge an extraneous need Something so strong had to be guaranteed What do I know, what do I know, what do I know, what do I know I know love, I know peace, I know hope, I know grief I know stars, I know noise, I know loss, I know void
5.
There’s a soul-shaking moment when the storm is through The turbulence has shifted to reveal an azure hue Sun fills the cabin with relief anew And I think of you If I’d worked a little harder to spur happenstance If I’d moved a little faster, didn’t leave it up to chance The elegance of ending would only add to the romance And I think of you A paring down, a stripping off, a new valence revealed Through raw exposure clearing comes; familiar wounds are healed There’s a narrowing of purpose in the altitude A sharper sense of focus than might otherwise be viewed I feel a certain oneness with the multitude And I think of you
6.
interlude 01:27
7.
So let’s assume you’ve ended up right where you wanna be You sure surprised us by your choice Who would’ve thought that he could find the words to hold you sway With such an uncompelling voice Baby who knows, nobody knows, maybe you knew and just forgot Baby who knows, maybe you chose someone because of what they’re not Baby who knows, baby who knows, baby who knows We turned a blind eye to the things you didn’t see in him Hoping he would change what’s wrong You failed to mention your accepting mediocrity Met your expectations all along Baby who knows, nobody knows, maybe you knew and just forgot Baby who knows, maybe you chose someone because of what they’re not Baby who knows, baby who knows, baby who knows Still, it’s a comfort to be near you in a smaller way Those grapes turned sour long ago Now that I realize the bar for you was set to high I won’t let disappointment show So now it’s come to where the roles have all but been reversed And complication holds its ground He’s right for you and yet you feel as though it’s too rehearsed But could your logic be unsound Baby who knows, nobody knows, maybe you knew and just forgot Baby who knows, maybe you chose someone because of what they’re not Baby who knows, baby who knows, baby who knows
8.
She paints on the ceiling over my bed, a breadcrumb lane to the land of the dead Bodies splashed with blood from head to toe, drawn by a girl I used to know They’re pulled to the edge by her siren call, following the sound by the waterfall Hidden in the depths there’s a stereo spinning hits from a girl I used to know Look out below! Look out below! The transistor glows from long ago Look out below! Look out below! It’s the sound of a girl I used to know One station plays on the radio, it crackles under water like sonic snow Through the static I remember how it goes, sing along to a girl I used to know Look out below! Look out below! The transistor glows from long ago Look out below! Look out below! It’s the sound of a girl I used to know There’s a message on the inside of my hand, a hope for a song in the promised land Close my eyes and let the current flow, say a prayer to the girl I used to know
9.
You lost some but you thought you’d win some As though you had a shared value system You let ‘em go ‘cause the averages favor A few missed tricks in a healthy wager It’s the mark of a failed myopic, you can’t see the details of the topic If your vision were more microscopic, you’d be in the game You’ve been making some forward progress The bad calls help just to keep you honest You lie a little ‘cause who could argue If they don’t know then they won’t charge you It’s the mark of a failed myopic, you can’t see the details of the topic If your vision were more microscopic you’d be in the game I’d like to think that you did all that you could But your hand was never good enough to deal you in It’s been taking a toll for ages The pain hits hard and it comes in stages It’s tough to make nice and save your face, still You don’t care but I bet your kids will It’s the mark of a failed myopic, you can’t see the details of the topic If your vision were more microscopic you’d be in the game
10.
I don’t need to tell you, you don’t have to know I thought I would have to, but I can let it go A certain contradiction I’m trying to erase Can suppressing an opinion help you find a state of grace You offer a solution to a problem you can’t see Your effective elocution convinces everyone but me You often show a kindness and it’s a generous conceit It makes it harder to believe you with the company you keep Maybe I was just halfway right about you… A certain contradiction has looked me in the face I’ll muster an opinion just to find a state of grace
11.
reprise 01:01
12.

about

"A gorgeously contemplative work of art." The Big Takeover

“Altitude could have been the lush, melodic record that was playing on the stereo in 1992 at the party your friend took you to where you first met the person who would later break your heart into a squillion pieces.”
Grammy-winner Aimee Mann

"Kimon Kirk can nail longing and regret and an existential shrug all in one lyric. His music makes me restless, makes me want to put down whatever book I'm reading and go out in the world to see what I'm missing and he's not."
Author/NPR Book Critic Maureen Corrigan

“In a world in which masterful melodic songwriting and rich understated production were king, philosopher-poet Kimon Kirk would rule with a velvet fist. Beautiful symphonic pop in the Wilson-McCartney vein, via Andy Partridge." Emmy-nominee Alex Rubens (Key & Peele)

"Kimon Kirk's Altitude shines a golden melodic light on the darker corners of the human soul, beguiling the listener onto a higher plane. It’s a combination of penetrating intelligence and unapologetic catchiness that’s rare, but shouldn’t be."
The Daily Vault

"Beautiful... soothing and sweet... An opus that recalls the singers of a bygone era." Paris-Move (France)

"The Beach Boys meets Blade Runner." Dangerous Carny

credits

released February 19, 2021

Kimon Kirk - vocals, guitar
Lyle Brewer - lead guitar
Jamie Edwards - keyboards
Jim Haggerty - bass guitar
John Sands - drums

Sarah Borges - harmony vocals on Trampoline, The Girl I Used to Know
Aimee Mann - harmony vocals on Baby Who Knows

Produced by Kimon Kirk
Recorded by David Minehan at Woolly Mammoth Sound
Mixed by Darrell Thorp
Mastered by Kim Rosen at Knack Mastering

Trampoline mixed by Paul Q. Kolderie
Baby Who Knows mixed by Ryan Freeland
Halfway Right recorded by Brian Charles at Zippah
My Old Neighborhood recorded by Rafi Sofer at Q Division
Additional recording by Dan Cardinal at Dimension Sound, Sebastian Aymanns and Paul Bryan

All music and lyrics by Kimon Kirk (Dos Kay Music, BMI), except:

Evergreen - lyrics by Kimon Kirk, Amy Correia and Aimee Mann
Trampoline - music and lyrics by Kimon Kirk and Sarah Borges
Stranded, The Girl I Used to Know - lyrics by David Champagne and Kimon Kirk
Baby Who Knows - music and lyrics by Kimon Kirk and Aimee Mann
Failed Myopic - lyrics by Kimon Kirk and Robin Sandomirsky

Album photo by J. Elon Goodman
Press photos by Jenny Moloney

Cover art by Rakish Light (Deirdre O'Dwyer and Brian O'Connell)
Design by the Visual Strategist (Gail Marowitz)

© Kimon Kirk, Dos Kay Music

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Kimon Kirk Los Angeles, California

Kimon Kirk is a singer, songwriter, bassist, and record producer. His band the Meds "provide finesse and muscle in the proper proportions."

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